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JOEY CALDERAZZO |
PETRONEL MALAN |
ALEXANDER PALEY |
CLEMENS UNTERREINER |
OVIDIO DE FERRARI |
MIKHAIL PLETNEV |
Since then, Marta Lledo’s intrigue with the tango music of Argentina has led her to study under such masters as Carmen Gomez Carillo, Etelvina Chinicci, and Elsa Pupullo, and to perform throughout Latin America. Today, Marta Lledo resides in the United States studying with Nino Merabishvilli, a graduate from the Moscow Conservatory of Music. Marta Lledo is an international artist with an exceptional command of her instrument.
"After my coffee and cigar we went to one of the recording rooms where they had a Blüthner piano Well, this Blüthner had the most beautiful singing tone I had ever found. I became quite enthusiastic and decided to play my beloved Barcarolle of Chopin. The piano inspired me. I don’t think I ever played better in my life.“
„My Many Years“ (page 281)
„In das Exil nach Amerika begleiteten mich nur zwei Wesen von Bedeutung: meine Frau Natalja und mein kostbarer Blüthner.“
“There are only two important things which I took with me on my way to America. My wife Natalia and my precious Blüthner.”
“Almost in the middle of the room, the black Blüthner grand stood, free of music, book or photographs. Debussy was proud of his grand piano, and before I played he showed me a new device invented by Blüthner: an extra string set on top of the others. Although not touched by the hammers, it caught the overtones, thus increasing the vibrations and enriching the sonority. This was a piano he had rented during a stay in Bournemouth, and liked so well that he had bought it and had it shipped to Paris.” “He played a number of passages and the tone he extracted from the Blüthner was the loveliest, the most elusive and ethereal I have ever heard”.
letter from Maurice Dumesnil, friend
Debussy's Blüthner at the Musée Labenche
