JOEY CALDERAZZO

PETRONEL MALAN

ALEXANDER PALEY

CLEMENS UNTERREINER

OVIDIO DE FERRARI

MIKHAIL PLETNEV

 

Emmanuel Christien has won numerous prizes and awards as a pianist, accompanist and chamber musician. In 2004, he was a prizewinner at the International Piano Competition Casagrande (Italy), for his performance of the piano music of Johannes Brahms. As a chamber musician, he has performed under the instruction of Pierre-Laurent Aimard, Daria Hovora, Christian Ivaldi, Michaël Hentz, Claire Désert and Ami Flammer, and being highly commended for his ensemble playing in performance with cellist Aurélienne Brauner. A passionate advocate of vocal music, and a prize winner for the same, he has been coached in this capacity by Jeff Cohen and Ann Grappotte. He has also worked with Ruben Lifschitz during the vocal accompaniment coaching sessions (Lieder and Art Song)at the “Fondation de l'Abbaye de Royaumont”. In 2005, Emmanuel Christien was accepted into the prestigious “cycle de perfectionnement” – the advanced development cycle, at the National Conservatory Superior of Music and of Dance, Paris and for this achievement, he was bestowed a Blüthner piano by Foundation of Alfred Reinhold. He is also a bursary laureate of the Mécénat Musical Société Générale for 2007-2008, and of the Perlemuter Competition.

As a pianist, Emmanuel Christien has made numerous appearances on France-Music and Radio Classic. He has performed in his native France, and elsewhere in Europe as a soloist and chamber musician. Recent performances include those at the Festival Ars Terra in Villers on Authie, Summer Music in Epernay, National Archives, Paris Senate, the Theatre and Auditorium of the City of Music, Chopin Festival in Bagatelle, Roque d' Anthéron, Folle Journée in Nantes, in Pérouse (Italy) and in Mitchell Hall in Aberdeen (Great Britain) and most recently in Japan, invited to participate in the prestigious Kyoto Student Festival. As a concerto soloist, he has performed with the Orchestra of Caen, the soloists of the National Orchestra of France and the orchestra of the National Conservatory Superior of Music and of Dance, Paris.

Historical Composers & Artists

"After my coffee and cigar we went to one of the recording rooms where they had a Blüthner piano Well, this Blüthner had the most beautiful singing tone I had ever found. I became quite enthusiastic and decided to play my beloved Barcarolle of Chopin. The piano inspired me. I don’t think I ever played better in my life.“

Arthur Rubinstein 

„My Many Years“ (page 281)

 

„In das Exil nach Amerika begleiteten mich nur zwei Wesen von Bedeutung: meine Frau Natalja und mein kostbarer Blüthner.“

“There are only two important things which I took with me on my way to America. My wife Natalia and my precious Blüthner.”

Sergei Rachmaninoff

 

 “Almost in the middle of the room, the black Blüthner grand stood, free of music, book or photographs. Debussy was proud of his grand piano, and before I played he showed me a new device invented by Blüthner: an extra string set on top of the others. Although not touched by the hammers, it caught the overtones, thus increasing the vibrations and enriching the sonority. This was a piano he had rented during a stay in Bournemouth, and liked so well that he had bought it and had it shipped to Paris.” “He played a number of passages and the tone he extracted from the Blüthner was the loveliest, the most elusive and ethereal I have ever heard”. 

letter from Maurice Dumesnil, friend

Claude Debussy

Debussy's Blüthner at the Musée Labenche