JOEY CALDERAZZO

PETRONEL MALAN

ALEXANDER PALEY

CLEMENS UNTERREINER

OVIDIO DE FERRARI

MIKHAIL PLETNEV

 

During this time she also recited concerts regularly in numerous cities in Russia, Europe and the United States of America. She took part in numerous international competitions and has been awarded various prizes for piano performance in Belgium, Italy and Russia.

After completing her post-graduate studies, she worked as a lecturer at the Rimsky-Korsakov conservatoire in St. Petersburg for some years.

Elena completed her studies in Amsterdam at the Sweelinck Conservatoire with Ton Hartsuiker. During that time she took part in a large number of Masterclasses including that of Prof. L. Vlasenko at the Moscow Tschaikowsky Conservatory, O. Yablanskaya at the New York Juillard School and G. Sebok at the Conservatorium van Amsterdam. Her season highlight in 1990 was her performance in the White House for the president of the United States, George H.W. Bush.

In 1996 she gave her debut at the Concertgebouw Amsterdam. In the same year here first solo album was launched with great success. It was followed in 1999 by her second Album, which was released in co-operation with Raimond Weill.  Since then she has released two albums through Blüthner Records.

 

Historical Composers & Artists

"After my coffee and cigar we went to one of the recording rooms where they had a Blüthner piano Well, this Blüthner had the most beautiful singing tone I had ever found. I became quite enthusiastic and decided to play my beloved Barcarolle of Chopin. The piano inspired me. I don’t think I ever played better in my life.“

Arthur Rubinstein 

„My Many Years“ (page 281)

 

„In das Exil nach Amerika begleiteten mich nur zwei Wesen von Bedeutung: meine Frau Natalja und mein kostbarer Blüthner.“

“There are only two important things which I took with me on my way to America. My wife Natalia and my precious Blüthner.”

Sergei Rachmaninoff

 

 “Almost in the middle of the room, the black Blüthner grand stood, free of music, book or photographs. Debussy was proud of his grand piano, and before I played he showed me a new device invented by Blüthner: an extra string set on top of the others. Although not touched by the hammers, it caught the overtones, thus increasing the vibrations and enriching the sonority. This was a piano he had rented during a stay in Bournemouth, and liked so well that he had bought it and had it shipped to Paris.” “He played a number of passages and the tone he extracted from the Blüthner was the loveliest, the most elusive and ethereal I have ever heard”. 

letter from Maurice Dumesnil, friend

Claude Debussy

Debussy's Blüthner at the Musée Labenche