JOEY CALDERAZZO

PETRONEL MALAN

ALEXANDER PALEY

CLEMENS UNTERREINER

OVIDIO DE FERRARI

MIKHAIL PLETNEV

 

Stephanos Thomopoulos has been playing in numerous countries in Europe, the United States, Brazil, Japan, Turkey, Egypt, Ukraine and in venues, including the Athens Music Megaron, the Amsterdam Concertgebouw, the ancient theatre of Epidaurus, the Cecilia Mireiles Hall in Rio de Janeiro, the Alti Hall in Kyoto, the Salle Gaveau and the Cité de la Musique in Paris. He is regularly invited to play with all major Greek orchestras, as well as the national orchestras of Belgrade, Odessa, Cyprus, the Netherlands Chamber Orchestra and the Cairo Opera House Orchestra.

He has played in international festivals, such as the Printemps des arts de Monaco, New Masters on tour series in Amsterdam, Piano à Auxerres, the Hellenic Festival, Les Dominicains de Haute Alsace, the Dimitria Festival in Salonica, the Georges Bizet Festival in Bougival, Santander Music Encounters etc. Among his favourite chamber music partners are the Arditti Quartet and Patrice Fontanarosa.

His taste for experimental projects and his curiosity for different forms of artistic expression have brought him to contribute musically to Heinrich von Kleist’s La Marquise d’Ô, directed by Lukas Hemleb and produced by the Théâtre Gérard Philippe and the Maison de la Culture d’Amiens, or to create with Tal Isaac Hadad the performance «Le piano et le salon de musique», in the FIAC of October 2011. In February 2010, he also participated in the adaptation by Hervé Lacombe of the Arlesienne into a theatrical tale in the Musée d’Orsay.

He has recorded works of Alexander Scriabin for the Mécénat Musical de la Société Générale, and works of Manos Hadjidakis for the Italian foundation CIMA. His last CD, recorded in 2011 thanks to the Meyer Foundation, includes the whole oeuvre of Iannis Xenakis for solo piano, as well as Synaphaï, Xenakis’ legendary first piano concerto. The live recording An evening in Leipzig has just been released in the collection Mediencampus.

Stéphanos Thomopoulos is the first pianist in France to carry out a Doctorate in performance at the Conservatoire de Paris, where he does research on Xenakis’ piano work under the supervision of Gerard Pesson and Jean-Yves Bosseur. The writing of this thesis has brought him to participate in concerts and conferences about Xenakis in New York, Montreal, Paris, London, Belgrade, Leipzig, Athens, Monaco as well as to publish an article in the book Performing Xenakis, next to personalities such as Milan Kundera, Michel Tabachnik and Irvine Arditti (Pendragon Press).

In 2010, Stéphanos Thomopoulos was appointed professor and head of the piano departement at the Conservatoire National de Nice. He is invited to give masterclasses in Monaco, Musicalta in France and Music Village in Greece..

Historical Composers & Artists

"After my coffee and cigar we went to one of the recording rooms where they had a Blüthner piano Well, this Blüthner had the most beautiful singing tone I had ever found. I became quite enthusiastic and decided to play my beloved Barcarolle of Chopin. The piano inspired me. I don’t think I ever played better in my life.“

Arthur Rubinstein 

„My Many Years“ (page 281)

 

„In das Exil nach Amerika begleiteten mich nur zwei Wesen von Bedeutung: meine Frau Natalja und mein kostbarer Blüthner.“

“There are only two important things which I took with me on my way to America. My wife Natalia and my precious Blüthner.”

Sergei Rachmaninoff

 

 “Almost in the middle of the room, the black Blüthner grand stood, free of music, book or photographs. Debussy was proud of his grand piano, and before I played he showed me a new device invented by Blüthner: an extra string set on top of the others. Although not touched by the hammers, it caught the overtones, thus increasing the vibrations and enriching the sonority. This was a piano he had rented during a stay in Bournemouth, and liked so well that he had bought it and had it shipped to Paris.” “He played a number of passages and the tone he extracted from the Blüthner was the loveliest, the most elusive and ethereal I have ever heard”. 

letter from Maurice Dumesnil, friend

Claude Debussy

Debussy's Blüthner at the Musée Labenche