JOEY CALDERAZZO

PETRONEL MALAN

ALEXANDER PALEY

CLEMENS UNTERREINER

OVIDIO DE FERRARI

MIKHAIL PLETNEV

 

Her performances at venues such as the Royal Festival Hall, Finlandia Hall, Hong Kong City Hall, Wigmore Hall, Verona Teatro Filarmonico, Megaron Athens and Salle Gaveau Paris continue to garner reviews that praise her ‘distinct character as a player’ (The Independent) with “unusual interior strength” together with her “personal, intelligent and unique interpretation” (La Opinion Granada). Mei Yi worked alongside conductors such as Matthias Bamert, Martyn Brabbins, Claus Peter Flor, János Fürst, Kirill Karabits and Christopher Warren-Green; with the BBC Concert Orchestra, Fort Worth Symphony, Helsinki Philharmonic, Hong Kong Sinfonietta and London Chamber Orchestra. Her avid rapport with musicians also brings her to direct orchestras such as the Malaysian Philharmonic and the Russian Virtuosi on tours from Asia to Europe.

Appearances at music festivals worldwide play an important part in Mei Yi’s schedule, with invitations from Lorin Maazel’s Castletown Festival, Mänttä Festival in Finland, the Pharos Arts Foundation in Cyprus, Kosterfestivalen in Sweden, Bravissimo Festival in Guatemala and the Britten-Pears Foundation in Aldeburgh. As a new music advocate, she performed at the Schoenberg Centre in Vienna, Park Lane Group at the Southbank Centre and at the Pinakothek der Moderne Munich for the Staatoper’s Festpiel+ Series.

A native of Malaysia, Mei Yi was awarded the medal of Setiawan Tuanku Muhriz for her contribution towards art and music in her home country. She resides in London and enjoys playing chamber music with Dimitri Ashkenazy, Shlomy Dobrinsky, Antti Siirala, Ashley Wass, Yuri Zhislin, as well as working with prominent composers such as Dai Fujikura and Unsuk Chin. Following the success of her debut recording “Recital” which included works by Bach, Bowen, Ravel and Brahms, Mei Yi’s second album “Musical Toys” extends her exploration of the 20th/21st century repertoire, featuring works by Sofia Gubaidulina, Unsuk Chin and György Ligeti. It is due for release in summer 2012.

Historical Composers & Artists

"After my coffee and cigar we went to one of the recording rooms where they had a Blüthner piano Well, this Blüthner had the most beautiful singing tone I had ever found. I became quite enthusiastic and decided to play my beloved Barcarolle of Chopin. The piano inspired me. I don’t think I ever played better in my life.“

Arthur Rubinstein 

„My Many Years“ (page 281)

 

„In das Exil nach Amerika begleiteten mich nur zwei Wesen von Bedeutung: meine Frau Natalja und mein kostbarer Blüthner.“

“There are only two important things which I took with me on my way to America. My wife Natalia and my precious Blüthner.”

Sergei Rachmaninoff

 

 “Almost in the middle of the room, the black Blüthner grand stood, free of music, book or photographs. Debussy was proud of his grand piano, and before I played he showed me a new device invented by Blüthner: an extra string set on top of the others. Although not touched by the hammers, it caught the overtones, thus increasing the vibrations and enriching the sonority. This was a piano he had rented during a stay in Bournemouth, and liked so well that he had bought it and had it shipped to Paris.” “He played a number of passages and the tone he extracted from the Blüthner was the loveliest, the most elusive and ethereal I have ever heard”. 

letter from Maurice Dumesnil, friend

Claude Debussy

Debussy's Blüthner at the Musée Labenche