JOEY CALDERAZZO

PETRONEL MALAN

ALEXANDER PALEY

CLEMENS UNTERREINER

OVIDIO DE FERRARI

MIKHAIL PLETNEV

 

She studied with Evgeny Malinin and Larissa Dedova at the Moscow Tchaikovsky Conservatory, with Rudolf Buchbinder at the Academy of Music in Basel, Switzerland and with Santiago Rodriguez at the University of Maryland, College Park where she was awarded a Doctor of Musical Arts degree. Since her orchestral debut under Vladimir Ponkin at age 8 Anastasia Voltchok has performed extensively throughout Western and Eastern Europe and the United States.

Recently Anastasia Voltchok appeared as a soloist with Valery Gergiev and the Kirov Orchestra of the Mariinsky Theatre St. Petersburg, Mario Venzago and the Indianapolis Symphony Orchestra, Basel Symphony Orchestra, Orchestra della Svizzera Italiana, Zurich Chamber Orchestra, the London Mozart Players together with Hans-Peter Frank and Howard Griffiths. As a recitalist she has also performed at New York’s Lincoln Center, the Great Hall of St. Petersburg Philharmonic, the Tonhalle Zurich, the Gulbenkian-Foundation in Lisbon, the Santa Cecilia in Rome and the Victoria Hall in Geneva. As a guest artist Ms. Voltchok has appeared at the Moscow Easter Festival, the Toradze Piano Festival, the William Kapell Festival, La Roque d’Anthéron Piano Festival in France, and the International Arturo Benedetti Michelangeli Piano Festival in Bergamo and Brescia, Italy.

Ms. Voltchok is a winner of many awards and prizes, including First Prize at the International Piano Competition in Senigallia, Italy. In July 2003 Anastasia Voltchok was awarded First Prize and the Gold Medal at the International World Piano Competition in Cincinnati, USA.

Ms. Voltchok’s performances have been broadcasted by Swiss National Radio, Russian Radio and TV, RAI-TV in Italy, France Musique, in Germany, in the UK and in the USA. The new CD of Anastasia Voltchok with works by Prokofiev will be released soon.

Historical Composers & Artists

"After my coffee and cigar we went to one of the recording rooms where they had a Blüthner piano Well, this Blüthner had the most beautiful singing tone I had ever found. I became quite enthusiastic and decided to play my beloved Barcarolle of Chopin. The piano inspired me. I don’t think I ever played better in my life.“

Arthur Rubinstein 

„My Many Years“ (page 281)

 

„In das Exil nach Amerika begleiteten mich nur zwei Wesen von Bedeutung: meine Frau Natalja und mein kostbarer Blüthner.“

“There are only two important things which I took with me on my way to America. My wife Natalia and my precious Blüthner.”

Sergei Rachmaninoff

 

 “Almost in the middle of the room, the black Blüthner grand stood, free of music, book or photographs. Debussy was proud of his grand piano, and before I played he showed me a new device invented by Blüthner: an extra string set on top of the others. Although not touched by the hammers, it caught the overtones, thus increasing the vibrations and enriching the sonority. This was a piano he had rented during a stay in Bournemouth, and liked so well that he had bought it and had it shipped to Paris.” “He played a number of passages and the tone he extracted from the Blüthner was the loveliest, the most elusive and ethereal I have ever heard”. 

letter from Maurice Dumesnil, friend

Claude Debussy

Debussy's Blüthner at the Musée Labenche