JOEY CALDERAZZO

PETRONEL MALAN

ALEXANDER PALEY

CLEMENS UNTERREINER

OVIDIO DE FERRARI

MIKHAIL PLETNEV

 

Traveling around the Siberian region, she had to play concerts in halls on occasion with tempuratures of -10C, while it was -40C outdoors.  Julia always loved to perform and play for an audience and even now the contact with her audience remains central in her artistry.

At the age of 16 she completed her first professional degree after a spirit-breaking music education in Siberia. When she moved to Finland with her family, she decided to stop performing on stage and did not give a public concert in more than 7 years.  During that time Julia was living and studying in Germany, resulting in a Master degree in Freiburg and a Postgraduate degree in Berlin. An important figure for Julia was Vitali Berzon, her teacher during those years, who rebuilt her as a pianist.

After those 7 years, one of the most famous musicians in Finland, Erik. T. Tawaststjerna, professor at the Sibelius Academy, encouraged Julia to return to the concert stage, and shortly after that she won a small international competition in Paris, and this convinced her to continue to pursue a life as a performing artist.

Since 2003 Julia has been working with great pianists such as Staffan Scheja, Alicia de Larrocha, John O’Conor and Olli Mustonen. They have all influenced her deeply.  She has also received awards from among others the Cultural Foundation, the Music Performance Promotion Centre in Finland, The Royal Academy of Music and the Anders Wall Foundation in Sweden.

In 2007 she had a critically acclaimed debut performance at the Gotland Chamber Music Festival where she got the following review: ” …the young pianist Julia Mustonen played ”Pictures at an Exhibition” by Modest Mussorgsky. She delivered an interpretation that left us completely breathless. …It has to be like that so that a soloist of great stand can go into the music, become one with the instrument…Julia was living inside the music with strong and sensible theatrical gestures, she was so physical and both caressing and taming the grand piano, as if it were a giant body. Brilliant playing and a long well-deserved applause, with her being called back to stage a number of times!”

Historical Composers & Artists

"After my coffee and cigar we went to one of the recording rooms where they had a Blüthner piano Well, this Blüthner had the most beautiful singing tone I had ever found. I became quite enthusiastic and decided to play my beloved Barcarolle of Chopin. The piano inspired me. I don’t think I ever played better in my life.“

Arthur Rubinstein 

„My Many Years“ (page 281)

 

„In das Exil nach Amerika begleiteten mich nur zwei Wesen von Bedeutung: meine Frau Natalja und mein kostbarer Blüthner.“

“There are only two important things which I took with me on my way to America. My wife Natalia and my precious Blüthner.”

Sergei Rachmaninoff

 

 “Almost in the middle of the room, the black Blüthner grand stood, free of music, book or photographs. Debussy was proud of his grand piano, and before I played he showed me a new device invented by Blüthner: an extra string set on top of the others. Although not touched by the hammers, it caught the overtones, thus increasing the vibrations and enriching the sonority. This was a piano he had rented during a stay in Bournemouth, and liked so well that he had bought it and had it shipped to Paris.” “He played a number of passages and the tone he extracted from the Blüthner was the loveliest, the most elusive and ethereal I have ever heard”. 

letter from Maurice Dumesnil, friend

Claude Debussy

Debussy's Blüthner at the Musée Labenche