JOEY CALDERAZZO

PETRONEL MALAN

ALEXANDER PALEY

CLEMENS UNTERREINER

OVIDIO DE FERRARI

MIKHAIL PLETNEV

 

He gained the foundations of his proficiency at the music school for talented children in Târgu Mure?, where he began to take lessons already at age six. Grauers fast artistic progress was soon recognized through performances for the Romanian television and early broadcast- and studio-recordings.

At the age of 14 he won the 1st prize on the national level of the Romanian competition Ciprian Porumbescu. Shortly after this, he emigrated to Germany and found a new home in Aachen. Proclaimed as a “wunderkind at the piano”, he became a junior student in the class of Prof. Pavel Gililov at the Hochschule für Musik und Tanz in Cologne.

Scholarships in the years 1986-1994 enabled him to participate in important, international master classes taught by, for example, Zoltán Kocsis, György Cziffra, Eliza Hansen, Christoph Eschenbach, Karl-Heinz Kämmerling and Rudolf Buchbinder, where he gained crucial impetus for his musical career.

Grauer's repertoire covers a diverse range of epochs of piano music. His focus, however, is on pieces by Beethoven, Bartók, Chopin, Liszt and Grieg. Formed by the master classes of Zoltán Kocsis and his own Hungarian heritage he passionately embraces the pieces by Bartók.

In addition to numerous projects such as chamber music and vocal accompaniment, Peter Grauer gave concerts in several European as well as Asian countries. His acquaintance with Justus Franz made it possible for him to give his own concert in 1994 at the Schleswig-Holstein-Musik Festival. In 1999, Grauer toured through Japan and delighted his listeners with ten concerts. He elated his sophisticated audience in Turkey in 2004, and received rapturous applause on his tour in America in 2009.

— Noémi Fenyves, April 2010

Historical Composers & Artists

"After my coffee and cigar we went to one of the recording rooms where they had a Blüthner piano Well, this Blüthner had the most beautiful singing tone I had ever found. I became quite enthusiastic and decided to play my beloved Barcarolle of Chopin. The piano inspired me. I don’t think I ever played better in my life.“

Arthur Rubinstein 

„My Many Years“ (page 281)

 

„In das Exil nach Amerika begleiteten mich nur zwei Wesen von Bedeutung: meine Frau Natalja und mein kostbarer Blüthner.“

“There are only two important things which I took with me on my way to America. My wife Natalia and my precious Blüthner.”

Sergei Rachmaninoff

 

 “Almost in the middle of the room, the black Blüthner grand stood, free of music, book or photographs. Debussy was proud of his grand piano, and before I played he showed me a new device invented by Blüthner: an extra string set on top of the others. Although not touched by the hammers, it caught the overtones, thus increasing the vibrations and enriching the sonority. This was a piano he had rented during a stay in Bournemouth, and liked so well that he had bought it and had it shipped to Paris.” “He played a number of passages and the tone he extracted from the Blüthner was the loveliest, the most elusive and ethereal I have ever heard”. 

letter from Maurice Dumesnil, friend

Claude Debussy

Debussy's Blüthner at the Musée Labenche