JOEY CALDERAZZO

PETRONEL MALAN

ALEXANDER PALEY

CLEMENS UNTERREINER

OVIDIO DE FERRARI

MIKHAIL PLETNEV

 

He achieved a scholarship through the Foundation Meyer for higher cultural and artistic education. His live concert performances led him to France, Germany, Italy and Lebanon. He played piano concerts e.g. in Yokohama, Leipzig, Neapel, Nancy and at the festival of the Aix-en-Provence. As a solo player he performed with the “Orchestre de la Garde Républicaine” and with the “Nouvel Ensemble Instrumental du Conservatoire” in Paris, in the Orchestra Sinfonica Abruzzese, in the Accademia Barocca Willelm Hermans in Terni and in the Orchestra del Lazio in Rome. His passion for chamber music expressed oneself in various concerts like for example at the festivals of Beirut, Pézenas and Saint-Jean-de-Luz.

There have been released a number of records with Romain Descharmes, e.g. one CD containing piano works of the beginning of the 20th century and two more together with Sarah Nemtanu (concertmaster of the Orchestre National de France) and the clarinetist Jérôme Comte.

Historical Composers & Artists

"After my coffee and cigar we went to one of the recording rooms where they had a Blüthner piano Well, this Blüthner had the most beautiful singing tone I had ever found. I became quite enthusiastic and decided to play my beloved Barcarolle of Chopin. The piano inspired me. I don’t think I ever played better in my life.“

Arthur Rubinstein 

„My Many Years“ (page 281)

 

„In das Exil nach Amerika begleiteten mich nur zwei Wesen von Bedeutung: meine Frau Natalja und mein kostbarer Blüthner.“

“There are only two important things which I took with me on my way to America. My wife Natalia and my precious Blüthner.”

Sergei Rachmaninoff

 

 “Almost in the middle of the room, the black Blüthner grand stood, free of music, book or photographs. Debussy was proud of his grand piano, and before I played he showed me a new device invented by Blüthner: an extra string set on top of the others. Although not touched by the hammers, it caught the overtones, thus increasing the vibrations and enriching the sonority. This was a piano he had rented during a stay in Bournemouth, and liked so well that he had bought it and had it shipped to Paris.” “He played a number of passages and the tone he extracted from the Blüthner was the loveliest, the most elusive and ethereal I have ever heard”. 

letter from Maurice Dumesnil, friend

Claude Debussy

Debussy's Blüthner at the Musée Labenche