
JOEY CALDERAZZO	PETRONEL MALAN	ALEXANDER PALEY	CLEMENS UNTERREINER	OVIDIO DE FERRARI	MIKHAIL PLETNEV

Phillipe Cavagnat began playing piano at age 6. In 1991 he studied at the conservatory in Bodeaux under the instruction of Lucienne Delourmes, and then later at the Ecole Normale für Musik, where he worked with Victoria Melki.

In 2002 he was unanimously accepted to by the jury at the Paris Conservatory to study there. He was taught by George Plludermacher, Francois Frederic Guy and Claire Désert. In2006he received his diploma with outstanding marks..

After competing over the following years for acceptance into the Master#s program at the Paris Conservatory he began to work with Roger Muran for his studies. His success in various competitions won his prizes and even a Blüthner grand piano.

Historical Composers & Artists

"After my coffee and cigar we went to one of the recording rooms where they had a Blüthner piano Well, this Blüthner had the most beautiful singing tone I had ever found. I became quite enthusiastic and decided to play my beloved Barcarolle of Chopin. The piano inspired me. I don’t think I ever played better in my life.“

Arthur Rubinstein

„My Many Years“ (page 281)

„In das Exil nach Amerika begleiteten mich nur zwei Wesen von Bedeutung: meine Frau Natalja und mein kostbarer Blüthner.“

“There are only two important things which I took with me on my way to America. My wife Natalia and my precious Blüthner.”

Sergei Rachmaninoff

“Almost in the middle of the room, the black Blüthner grand stood, free of music, book or photographs. Debussy was proud of his grand piano, and before I played he showed me a new device invented by Blüthner: an extra string set on top of the others. Although not touched by the hammers, it caught the overtones, thus increasing the vibrations and enriching the sonority. This was a piano he had rented during a stay in Bournemouth, and liked so well that he had bought it and had it shipped to Paris.” “He played a number of passages and the tone he extracted from the Blüthner was the loveliest, the most elusive and ethereal I have ever heard”.

letter from Maurice Dumesnil, friend

Claude Debussy

Debussy's Blüthner at the Musée Labenche