JOEY CALDERAZZO

PETRONEL MALAN

ALEXANDER PALEY

CLEMENS UNTERREINER

OVIDIO DE FERRARI

MIKHAIL PLETNEV

 

After their solo piano studies at the Felix-Mendelssohn-Bartholdy School for Music and Theater in Leipzig Juliane Tautz and Stephanie Dathe founded the piano duo “ars synerga” in 2003. On invitation of the Julius Blüthner Pianoforte Company, they studied in 2003 and 2004 at the international Summer Academy Mozarteum Salzburg in the master classes of Professor Sergej Dorensky (Moscow) and Joseph Paradore (Boston).

They have been taking piano lessons from Mrs. Professor Ute Pruggmayer-Philipp (Dresden) and from the German piano duo Hans-Peter und Volker Stenzl.

On April 30th,2004 these young pianists entertained over 10.000 people and various radio and television stations during the open air event “Sternstunden Europas” in Celebration of the expansion of the European Union in Dreiländereck in Zittau.

2004/2005 they performed in the “Wiener Saal” and the theater hall to the Orff Institute in Salzburg, the “Gewandhaus” Leipzig and “Alte Handelsbörse” Leipzig, during the Schumann Festival Week, in the festival of modern music “Spinnerei III” in Leipzig, in the Katharinensaal in Rostock, and in the Congregations Hall in Neuburg/Donau.

The premiere of their concert program “Nachtklänge” (night sounds) occurred on the 23rd of September, 2005 in the main hall to the BIO CITY building in Leipzig with personal adaptations,percussion,dance,as well as light and video installations.

Historical Composers & Artists

"After my coffee and cigar we went to one of the recording rooms where they had a Blüthner piano Well, this Blüthner had the most beautiful singing tone I had ever found. I became quite enthusiastic and decided to play my beloved Barcarolle of Chopin. The piano inspired me. I don’t think I ever played better in my life.“

Arthur Rubinstein 

„My Many Years“ (page 281)

 

„In das Exil nach Amerika begleiteten mich nur zwei Wesen von Bedeutung: meine Frau Natalja und mein kostbarer Blüthner.“

“There are only two important things which I took with me on my way to America. My wife Natalia and my precious Blüthner.”

Sergei Rachmaninoff

 

 “Almost in the middle of the room, the black Blüthner grand stood, free of music, book or photographs. Debussy was proud of his grand piano, and before I played he showed me a new device invented by Blüthner: an extra string set on top of the others. Although not touched by the hammers, it caught the overtones, thus increasing the vibrations and enriching the sonority. This was a piano he had rented during a stay in Bournemouth, and liked so well that he had bought it and had it shipped to Paris.” “He played a number of passages and the tone he extracted from the Blüthner was the loveliest, the most elusive and ethereal I have ever heard”. 

letter from Maurice Dumesnil, friend

Claude Debussy

Debussy's Blüthner at the Musée Labenche